The Padacia
Notes from a pad in Oslo


20070228  

 Paintings | Jen Lobo
Pinned, oil on wood
Paintings | Jen Lobo

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20070225  

Currently Reading...

 Powell's Books | Bitter Fruit

Bitter Fruit
by Achmat Dangor

Synopsis: Early in Dangor's embittered second novel about his native South Africa, aloof, independent 19-year-old Mikey comes to the realisation that 'history has a remembering process of its own, one that gives life to its imaginary monsters.' This understanding of the past informs the thoughts and actions of the characters, which the author of Kafka's Curse explores in meticulous detail.

Mikey's parents, Silas and Lydia Ali, are members of the black middle class in post apartheid South Africa. But when Silas, a lawyer for the Justice Department, encounters the white police lieutenant who raped his wife two decades before, old wounds open in his and Lydia's already strained marriage. Mikey discovers that he may be the product of his mother's violation and sets out to explore his familial roots, taking a type of 'apartheid heritage route' that leads him to Silas's father's mosque.

Dangor's novel, a Man Booker Prize finalist, interrogates the forgiving attitude of people like Archbishop Tutu, and, as Silas puts it, 'the namby-pambying of God's ferocious legions.' In this environment, where even incestuous transgressions can be rationalized away, Mikey finds vengeance as a way to order the decayed social structures around him. Dangor's work is a bleak look at modern South Africa in the vein of J.M. Coetzee's novels, but from the perspective of black South Africans.

First Line: It was inevitable.

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20070218  

 Earth Pilgrim | Sacha Dean Biyan
Image 01 from Alma, Nusa Panida, Indonesia, 1999
Photography | Sacha Dean Biyan

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20070216  

 TAF Arkitekt Kontor
Staircase
Interior + Product Design | TAF

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20070215  

Currently Reading...

 Book Reviews | Never Let Me Go

Never Let Me Go
by Kazuo Ishiguro

Synopsis: From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans, comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.

Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.

Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.

Never Let Me Go breaks through the boundaries of the literary novel.
Told with dry-eyed, white-knuckled restraint, it is an improbable masterpiece, a science fiction horror story written as high tragedy, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

First Line: My name is Kathy H.

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20070211  

 Winners Gallery 2007 | World Press Photo
The international jury of the 50th annual World Press Photo Contest selected a color image of the US photographer Spencer Platt of Getty Images as World Press Photo of the Year 2006. The picture shows a group of young Lebanese driving through a South Beirut neighborhood devastated by Israeli bombings. The picture was taken on 15 August 2006, the first day of the ceasefire between Israel and Hezbollah when thousands of Lebanese started returning to their homes.

Photography | World Press Photo of the Year 2006

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20070208  

 Architecture | baumraum
Plendelhof Stables Treehouse, Bremen, Germany
Architecture | baumraum

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20070207  

Currently Reading...

 Powell's Books | Snow




Snow

by Orhan Pamuk

Synopsis: Long exiled from his native Turkey, Ka travels to the far-flung Anatolian city of Kars on the eve of its municipal elections to investigate the wave of female suicides that has struck the town for an Istanbul newspaper. He arrives in a blizzard of such proportions that it will cut Kars off from the outside world for three momentous days. A coup is quite literally staged before elections can take place. Ka finds himself drawn into a bitter and dangerous struggle between the extreme Islamists, set to win the violently aborted elections, and the secular state. Before he leaves Kars, far way from Westernised Istanbul, and far, far away from the German city in which he lives, Ka’s world will have been turned upon its head and his heart irrevocably broken.

In this tense thriller, punctuated by extraordinary moments of black farce, Orhan Pamuk explores the political entanglements that bedevil modern Turkey, not least the gulf between religious fundamentalism and secularism, and the intolerance that characterises both sides of that debate.

First Line: The silence of snow, thought the man sitting just behind the bus-driver.

 Permalink [ skrevet av ladislav pekar ]



20070206  

 Digital Art | Maggie Taylor
Mood Lifter, 2001
Digital Art | Maggie Taylor

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20070205  

 Gallery of Ladislav Kamarad
Aloe Dichotoma, The Kokerboom Forest near the town Keetmanshoop, Namibia, 2004
Photography | Ladislav Kamarad

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20070202  

 Viner Studio
Impending Doom, oil on panel, 2006
Paintings + Drawings | Jonathan Weiner (Viner)

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